This is an American Gibson Les Paul electric guitar played on the both pick-ups setting and is played through a Fender Bassman '59 Reissue with old valves in. This gigasample has the same presets as the Fender Jaguar above (except it does not include the slaps and slides preset) and is also recorded with the volume on the edge of break up on the amp (read the Fender Jaguar above for description of amplifier setting). This guitar is suited to jazz and blues but can easily b...

This is a Japanese Fender Jaguar electric guitar played on the both pick-ups setting and is played through a Fender Bassman '59 Reissue with old valves in. This amp gives a really nice full clean sound. I have recorded it on the edge of break up so the low velocity samples come out clean and the high velocity samples come out with a bit of nataural power valve distortion. You can add more distortion with effects if you need it dirtier. It is hard to get this natural break ...

This is a very rounded sounding electro-acoustic bass. Recorded straight without a mic, so there is no noise. This fits nicely with most types of music. Its deep but not overpowering, leaving room for other instruments. There is a choice of sample sets to choose from in this gigasample. Direct or through my j-station (which makes it sound more like its through an amp), or a mix somewhere between the two. The j-station samples are the same direct samples routed out and thro...

An acoustic guitar suited to bluesy rhythms. Has quite alot of fret rattle with the high velocities but also a certain amount of mid to high frequencies which helps to give it its own place in a mix. You also have a choice of how much reverb you use just by using the mod wheel 2 (cc13) on certain presets. The reverb is a genuine old Fender Reverb unit. Which is a valve driven spring reverb. Not only is it a nice classic reverb but just putting the samples through it warms ...

This sf2 soundbank, called the Ghent Carillon, is made with free samples found on the following site: http://bimbam.be/EN/klokken.html They are mono but good sounding, and respect the resonance of the 54 bells, from B flat to F, on 4 octaves. The samples have been converted from mp3 to wave, and regularly disposed in space from left to right, using the pan adjustment in the soundfont with Vienna Soundfont. In this belfry, there are no bells for the B and the C sharp of t...